murder on the orient express death on the nile

But if this second installment is to be the end of the road for Branagh’s Poirot, it’s an appropriately high note to go out on.ĭeath on the Nile opens exclusively in movie theaters on Feb. If Disney and 20th Century Studios were so inclined, they could churn out one of these films every couple of years and find a consistent audience in love with stories of crime and the beautiful people who commit them.

It’s the same kind of handsomely shot, character-driven drama as the first film that revived Poirot in the public consciousness, while its innovations are minor enough that they are more noteworthy as curiosities than judgments of quality. Perhaps it is a pat observation, but if you enjoyed Murder on the Orient Express, you’re going to enjoy Death on the Nile. On the one hand, it is a little bit silly that Branagh felt it necessary to elucidate an origin story for his Poirot’s now-infamous mustache, but it ultimately adds a dimension to the character that tempers the performance’s high theatrics into a more imminently relatable form. However, the film’s boldest adaptational inclination is toward Branagh himself, with Poirot now having a bit of backstory that bears thematic relevance to the story at hand. Poirot’s latest cinematic case is Death on the Nile, the sequel to 2017’s middling Murder on the Orient Express. The cast is almost uniformly excellent in doing so, with the exception of Gal Gadot, whose post- Wonder Woman career really emphasizes that she is much better suited to being an ethereal on-screen presence than a dialogue-laden leading woman. To delve much deeper into specifics would be to give the game away, but suffice it to say each member of the principal cast is given the opportunity to show off some facet of the tangled webs that romantic affection weaves that might lead to fatal consequences. Bening is of course the Oscar and Tony nominated actress who has appeared in numerous film and television projects since. Branagh, with screenwriter Michael Green, sees this as an opportunity to capitalize upon examinations of the story’s central themes of money, love and the tragic ways in which they intersect. Annette Bening plays a character named Euphemia in Death on the Nile.

Murder on the orient express death on the nile